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Noe DeWitt

Redd Kaihoi’s Redo of Bunny Mellon's Private Gallery Is an Anglophile’s Fantasy

This energetic estate in the Virginia countryside is complete with strutting peacocks, crimson silk velvet sofas, and a horse named Moonwalk.
in Charlottesville; landscape designer, ; and garden designer, , they wanted to be as honest with the original Delano & Aldrich design as possible with some alterations for a modern kitchen.

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Noe DeWitt
The living room’s blue lacquered walls shine against a regal red silk velvet sofa (fabric, Vervain). Bullion fringe, . Sconces,
With the interior design powerhouse of , the process evolved over five-plus years; the Vogels moved in “probably a little earlier than we should have and lived in a house that was primed white with almost no light fixtures until Miles and David could get busy,” recalls Alex. “This young, vital family came in with so much love and energy, children, animals, and a passion for entertaining,” says Redd, who set about sourcing furniture and objects that reflect their spirit, along with dreaming up bespoke decorative treatments by Redd Kaihoi collaborator Agustin Hurtado. These would join antique and heirloom art, lighting, and rugs the clients brought with them.
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Noe DeWitt
Peter Dunham’s linen Fig Leaf fabric echoes the view of the verdant Virginia countryside beyond the family room’s windows. The ceiling is painted Breath of.
Redd and Kaihoi began their decoration in the entrance hall and the family room. “The family room is where everyone is most of the time, so we started there, drawing inspiration from Brooke Astor’s famed red lacquered library,” Redd says of cloaking the walls instead in grass cloth with navy grosgrain ribbon running in bands to mirror the architecture of Astor’s red-and-brass room.
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Noe DeWitt
A German walnut and gilt secretary offers an elegant greeting in the entry. The front door is painted
“For the entrance hall we chose a scenic wallpaper because you feel like you’re walking into a fantasy,” says Kaihoi, noting the rooms beyond follow this conceit: Densely patterned chinoiserie papers set the dining room and primary bedroom alight in woodland Arcadia, the latter amid custom faux-bois millwork that settles a silk-tasseled canopy bed into a corner library.
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Noe DeWitt
Tobacco tones on a suede canape and the leather headboard punctuate the primary bedroom’s bookish library vibe balanced by feminine details like chinoiserie wall artistry (), floral chair upholstery (), and tassel bed trim (). Swing-arm lights, Millwork faux painting,
Coromandel screens mingle with marble Roman-style busts and English Georgian secretaries. A sunken parterre beckons as an evergreen entrée to the property’s rolling expanse. The result is a fantasy that isn’t so much out of this world as it is an homage to exceptional livability: the grounds, architectural beauty, and legacy of Bunny and Paul Mellon rejuvenated in high function and comfort. “A little bit English country house,” referring to the famously Anglophile Mellons, “and a little bit Virginia,” says Redd.

VERANDA Magazine

VERANDA Magazine

Featured in our January/February 2024 issue. Interior Design by Miles Redd and David Kaihoi; Architecture by Adams Sutphin; Landscape Design by Charles Stick; Garden Design by Bridget Wilson; Photography by Noe Dewitt; Styling by Howard Christian; Written by William Norwich.

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